Once color became the standard, a number of film stock varieties emerged in a short amount of time. These options presented filmmakers with a starting point for the way they wanted to utilize color to communicate mood in their films. While we see this intentionality in terms of creating mood, there is also the aspect of seeing how specific film stocks became associated with specific looks in cinema.

ceci mcgraneMay 21, 2018tutorials, colortheory, color, filmtheory, filmanalysis, filmmaking, filmComment

COLOR: The Mood of Film (Part II)

To sum up these terms; we can think of HUE as the specific color, VALUE as how bright the color is, and SATURATION as how intense the color presents itself. When thinking of how color is used in film, we'll rely heavily on these concepts of HUE, VALUE, and SATURATION as we explore how colors relate to each other and how these relationships can serve to create a visual style.

ceci mcgraneMay 4, 2018TUTORIALS, TUTORIAL, FILMTHEORY, COLORTHEORY, FILMMAKER, FILMHISTORY, filmhistory, filmmaker, colortheory, tips, filmanalysis, filmblog, resource, filmresource, tutorialsComment

Allied Expertise

The Who, What, Why and How behind Allied Productions.